The rain starts not long after I arrive on Shodoshima.
I’ve come to this small island in Japan’s Seto Inland Sea to walk a 160km pilgrimage called the 88-Temple Circuit. But before I begin, I’ve given myself a day to settle in and, you know, figure out what exactly it is I’ll be doing.
As it is, I’m okay with the rain – for today. “Let it all out,” I tell the sky, in the same way you might say when consoling a heartbroken friend. “Just as long you don’t fall tomorrow.”
The only problem is that my plans to do a first sketch of Shodoshima’s rugged landscape are now thwarted, and I find myself running for cover into a souvenir shop by the ferry terminal. The shop just happens to have a few tables and a long counter with bar stools. I grab one, order a coffee, and look around for some back-up inspiration.
And then it occurs to me that sometimes the best thing to sketch is what’s right in front of you.
And what’s in front of me here in a Shodoshima souvenir shop is a wonderfully eclectic mix of objects: a wooden container of disposable chopsticks, a fish tank, three violets growing in a glass ashtray, and an olive branch placed in a vase.
A perfect still life to sketch on this rainy Thursday afternoon.
But it’s only while I’m laying the scene out in pencil and beginning to go over it in pen that the sketch suddenly takes on a new layer of meaning: This time last year, I was walking the Camino de Santiago pilgrimage across northwest Spain – and among the 13kgs of mostly unnecessary stuff I carried with me was a book called One Sketch a Day: A Visual Journal.
There was a lot of rain on the Camino, too – not to mention a freak snowstorm one particularly frigid morning – so a lot of the sketches from that trip were done indoors. “You draw many bars,” one Spanish barista astutely observed, but only because there were so many such establishments along the way, where one could get a café con leche and wring the rain out of your clothes.
Before arriving on Shodoshima, I’d been wondering if there would be any connections between this pilgrimage and the one I did last year – beyond the obvious, of course.
As I sit and sip my Japanese drip coffee, yet again taking cover from the rain, it seems I’ve found my answer.
I want to buy one of your sketches!!!
Ah, that’s wonderful to hear, Andi!!! I would love love love for you to have one of my sketches. I plan on making prints from this trip available in June (plus notecards and postcards :), and I also do custom sketching commissions as well! If you’d like, I can send my info sheet for that to you in an email? 🙂
I want to buy one of your sketches as well. Do you sell them at all?
Absolutely, Agness! Thanks so much for asking 🙂 As I just replied to Andi, I’ll be making prints from this Southeast Asia and Japan trip available in June (plus postcards and notecards!), and I also do custom sketching commissions. Just let me know if you’d like me to send you my info sheet! Hope you’re doing well – where are you off to next?
I’m slowly catching up on all your posts on my breaks from work 🙂 This one reminded me of your desk in Colomb, with all the well placed and beautiful objects. I’m feeling nostalgic for our little corner of Goa!
I love that, Hannah! The connection hadn’t occurred to me, but I think it’s definitely there 🙂 And I’m with you on your Goa nostalgia – I’d so love to go back and set up our little corner all over again!
Lovely! Great job Candace. I hope to be able to take some time to do this when i travel… Seems hard, as I will keep on snapping pictures!
Thanks, Lela! It’s always fun to hear from you, and I really hope you can get up to some sketching on your next trip – it has become one of my favorite things to do while traveling, and gives you such a different memory from a photograph…although don’t get me wrong, I still take way too many photos on the road 🙂