There’s nothing like having to get up on a Saturday morning earlier than you would during the week to propel you out of bed.
Especially when it’s still dark outside, raining for the sixth day straight, and you have a ten-minute walk in front of you to the nearest bus stop. But thankfully it was all in the spirit of travel, the mission of the weekend being a five-hour journey across the country on the TranzAlpine Express to the West Coast. After two months of sticking close to Christchurch, I was going on a trip and I couldn’t have been more excited about it.
With two carry-on bags and a broken umbrella in tow, I boarded the MetroStar, a popular bus route, which connected me to the Orbiter, another line that took me to the Christchurch Railway Station in the suburb of Addington. A note about the Christchurch bus system: it is perhaps the least informative system with the least identifiable routes in the world. Having spent six months in London, I had adjusted to an almost overload of information – each step was clearly demarcated with a white plastic post and appropriate street name. On the buses themselves, these locations are displayed on a miniature marquee of sorts, scrolling brightly and unavoidably by. And for the visually impaired, a cheerful voice announces every approaching stop and once pulling away, reiterates the bus number: “22…to…Piccadilly Circus.”
Christchurch is another story. None of the stops have signs or posts with the street names or locations on them, and neither does a helpful announcer do the job. I’ve never clutched a map so tightly as when riding a bus in Christchurch, my head jerking up and down to follow each passing street on my map. It’s exhausting, especially when I’m bound to pass the stop anyways. But such was not the case as I stepped off my bus in Addington and arrived at the train station the suggested twenty minutes prior to departure. I was eighteen minutes too soon. It was the easiest check-in known to man, only a matter of seconds passing as I received my ticket and found my seat on coach M, conveniently adjacent to the viewing carriage.
The train pulled away and it became clear I’d be getting more for my money than I’d originally expected: natural scenery and a chatty tour conductor to boot. In addition to facts, “interesting” tidbits, and lines he obviously uses every journey (at Arthur’s Pass, for instance, he tells us to have a five-minute break for “fresh air or nicotine, whichever your poison”), our conductor Charlie embellished the ride with stories and anecdotes, tales of his wife Carolyn losing her wedding ring in a pigpen or a man rescuing his three-old son after he fell into a hole in a frozen lake.
The trip began averagely enough, as the train passed through the Canterbury Plains. Much of the immediate scenery was brush, dead in winter, with scrubby little bushes and piles of gravel and stones scattered about. These gave way to hills and mountains that sloped down towards the tracks, covered thickly with monochromatic trees. The clouds were low and heavy, settling on the tops of the mountains, and occasional waterfalls emptied their load in the river below. The river beds were immensely wide and rocky, mostly small grey stones, with the water weaving in and out in no apparent pattern. Charlie confirmed this observation as we followed the Waimakariri River. Stretching 150 kilometers long, he explains it is a braided river composed of numerous channels. It doesn’t flow from bank to bank like a normal river might, but during a flood, it can be quite the force to be reckoned with.
The viewing carriage was bustling with passengers, DSLRs swinging from their necks. Buzzing with the excitement of a press junket, it might as well have been the paparazzi and each vista a celebrity. The views go in and out as trees give way to the river and tunnels to the valleys. A woman looks up at me, camera in hand, and says, “I missed the money shot.” This was five minutes into the journey. I did my best to assure her there would be many (many) more. Clearly no one believed me as they continued to fight for prime viewing spots at the open sides of the carriage. You should’ve been there for the rainbow, set against the snowcaps – it was the Brangelina of all views. As avid of a photographer as I am, I found myself agreeing more with the man next to me who set his camera down and said, “Nothing beats the human eye.”
I mentioned earlier the ridiculous amount of rain Christchurch had experienced during the week leading up to my trip. This continued throughout the first part of the ride, which was especially unfortunate on the viewing carriage where each drop sliced against your skin. I’d looked up the forecast for Greymouth and was pleased to see a row of tiny dancing suns for the week. But…it is the weather and I knew better than to let the weathermen of Greymouth play with my heart. Halfway through, we entered a tunnel, the Otira Rail Tunnel to be exact, that at the time of its completion in 1923, was the longest tunnel in the British Empire and the Southern Hemisphere. Measuring 8.5 kilometers long, even today it’s the seventh longest in the world. The gradient is 1 in 33, meaning roughly that for every 33 meters covered, the track increases in slope by one meter. Because of this and the length, gases like carbon dioxide and carbon monoxide can be easily trapped in the tunnel, proving dangerous for both the train and its occupants. They’ve developed quite the system to counteract this, with a door closing behind the train as soon as it enters the tunnel so a large extracting fan can clear out the fumes. Just as the second door shut as we left the tunnel and emerged in Otira, the sky burst into a vivid blue, void of any raincloud. I was ecstatic.
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On the return trip the following day, I noticed several familiar faces around me. While some had made the trip from Christchurch to Greymouth and back in one day and others had moved on to other parts of the West Coast rather than make the return journey, it was clear I wasn’t the only one who’d chosen to stay the night.
I was glad to find myself in a more attentive state of mind on the return. Maybe it was because Charlie had been replaced by a welcomingly toned-down version of himself, or because I’d had a full night’s sleep. I remembered Otira from the day before, in absolute shock to find a hotel next to the tracks. The conductor shared that the entire township of Otira is actually owned by a couple, Bill and Chris Hennah. Although they’d originally intended to buy only the historic hotel in 1998, it wasn’t until after they signed the contract and handed over $75,000 that they realized they’d bought the town – the land, hotel, community hall, fire station and engine, swimming baths, and seventeen houses to round it all off. Houses are available to rent for $110 a week, as long as you stay for at least six months and help paint your house.
From Otira it was through the Rail Tunnel yet again and another five-minute break at Arthur’s Pass. Finally we passed through Bealey Village, where we could see the Bealey Hotel set in the distant hills. All things considered, such as its incredibly isolated location, the hotel has an unexpectedly well-designed website, on which it invites you to, “Enjoy the solitude of the secluded mountain environment.” Apparently after the owner opened the hotel, he claimed to see a moa – a long extinct native bird of New Zealand – and produced the requisite fuzzy photos to support his story. Like any good hoax, it caused quite a fuss at first and brought a steady flow of business to the hotel.
And then we were back to rolling through the Canterbury Plains and into Christchurch…oh, blessed civilization.
Hi Candace, interesting blog – but you're wrong about the towns on the TranzAlpine, Arthur's Pass is beautiful and the people are some of the nicest and most interesting that I know… Cass is beautiful, you should check out the famous painting by Rita Angus, although I'll admit Barry is a bit of an odd character. Paddy also did really well out of opening and running the Bealey hotel and the new managers do also… of course these towns are really only interesting if you enjoy getting out into the outdoors and exploring… but anyway, I like your writing style, some interesting yarns Jane